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Paket Umroh Promo 2017 di Bekasi Timur

Kami Travel Haji Umroh Alhijaz Indowisata Izin Umroh Resmi KeMeNag D/591/2014 dan Izin Resmi Haji PHU/HK.3245/IV/2012 menyediakan Paket Umroh Promo 2017Paket Umroh Promo 2017 adalah Info tentang Daftar Paket Haji Umroh 2017, Biaya Paket Haji Umroh 2017, Promo Paket Haji Umroh 2017, Harga Paket Haji Umroh 2017, Info Paket Haji Umroh 2017 di Travel Haji Umroh Alhijaz Indowisata yang mempunyai harga Hemat, Promo, dan Murah. Paket Umroh Promo 2017 selain harga yang hemat, Promo dan Murah, Tentunya kami memberikan dari segi fasilitas Maskapai Saudia Airlines yang langsung jakarta Jeddah tanpa transit, juga fsilitas hotel berbintang sesuai paket yang letaknya tidak jauh, dan pelayanan selama umroh, sehingga fasilitas selama umroh yang kami berikan  dapat menambah kekhusuan anda dalam beribadah Umroh

Ada beberapa variabel dalam mencari Paket Umroh Promo 2017 yaitu :

 

1. Maskapai

Paket Umroh Promo 2017 menggunakan Maskapai Saudia Airlines yang langsung jakarta Jeddah tanpa transit.

Promo Umroh 9 Hari 2017


Paket Umroh Promo 2017 Travel Haji Umroh Alhijaz Indowisata Paket Hemat. Promo, Ekonomis dan terjangkau untuk perjalanan umroh 9 hari dengan maskapai Saudia Airlines.

2. Jadwal Keberangkatan

Dengan tetap mengkedepankan aspek kepastian tanggal keberangkatan, kenyamanan dan kekhususan jamaah selama beribadah, Info di Paket Umroh Promo 2017 Travel Haji Umroh Alhijaz Indowisata ini memberikan informasi tentang rencana keberangkatkan di Tahun 2017 di Maret 2017 Umroh selama 9 hari.

 

3. Paket Umroh

Paket Umroh Promo 2017 Travel Haji Umroh Alhijaz Indowisata meliputi

 

A. PAKET UMROH REGULER

Paket Umroh Reguler adalah Paket Umroh dengan harga lebih hemat dan terjangkau dengan Perjalanan menggunakan Maskapai Saudia Airlines dan Hotel Fasilitas Bintang *4/ Setaraf.

  • Hotel Madinah : Muhtara International/ setaraf *4

Promo Umroh 9 Hari 2017

                                                          Hotel Madinah :  Muhtara International Hotel Bintang *4 / Setaraf

  • Hotel Mekkah : Mobark Plaza / setaraf *4

Promo Umroh 9 Hari 2017

                                                                          Hotel Mekkah Mubark Plaza Bintang *4 / Setaraf

B. PAKET UMROH STANDART/COMBINE

Paket Umroh Reguler adalah Paket dengan Perjalanan menggunakan Maskapai Saudia Airlines, Hotel Di Madinah dengan Fasilitas Hotel Bintang *4 / Setaraf Dan Hotel Mekkah Fa silitas Hotel Bintang *5 /setaraf

  • Hotel Madinah : Muhtara International / setaraf Hotel Bintang *4

Umroh 9 Hari

                                                          Hotel Madinah :  Muhtara International Hotel Bintang *4 / Setaraf

 

  • Hotel Mekkah : Tower Zamzam/ setaraf Hotel Bintang*5

Umroh 9 Hari

                                                               Hotel Mekkah : Zam Zam Tower Hotel Bintang *5 / Setaraf


Biaya perlengkapan dan airport tax handling P. Jawa,Lampung : Rp 1.000.000

Biaya Pengiriman luar P. Jawa , Lampung, di tanggung jamaah

BIAYA UMROH SUDAH TERMASUK :

  • Tiket Pesawat Saudia/ Garuda PP (CGK-JED-CKG)
  • Visa Umroh
  • AKomodasi Hotel di Tanah Suci
  • Makan 3x SEhari
  • Pembimbing Ibadah / Muthawif
  • Manasik Umroh 1x Di Kantor AlHijaz
  • Ziarah Mekkah , Madinah & City Tour Jeddah
  • Air Zam-Zam 1 Galon (5 Liter)

BIAYA UMROH BELUM TERMASUK :

  • Pembuatan Passport
  • Tiket Pesawat dari daerah ke Jakarta
  • Suntik Meningitis
  • Biaya Airport Tax Handling & Perlengkapan Ibadah Rp. 1000.000,-

KONSULTASI UMROH

PT. Al-Hijaz IndoWisata Tour & Travel

Graha Alhijaz Lt. 3 Jl. Dewi Sartika No. 239A, Cawang Jakarta Timur 13630

Contact Person

Nurti P. Purbasari

082124065740

 

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Native American Actors Work to Overcome a Long-Documented Bias

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

Ghostly Voices From Thomas Edisonís Dolls Can Now Be Heard

Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.

The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.

In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.

Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.

Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.

Audio

The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.

In 2014, the technology was made available for the first time outside the laboratory.

“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”

Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.

The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.

“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.

The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.

Audio

Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.

Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.

At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.

“That was the Eureka moment,” Mr. Rolfs said.

In 1890, a girl in Edison’s laboratory had recited:

There was a little girl,

And she had a little curl

Audio

Right in the middle of her forehead.

When she was good,

She was very, very good.

But when she was bad, she was horrid.

Recently, the conservation center turned up another surprise.

In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.

Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.

“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.

The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.

Untuk Info Lebih Detail, Silahkan Hubungi :
Nama : Alif
Telp : 082124065740
Email : [email protected]
Website : www.umrohtravelalhijaz.blogspot.co.id
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